The Making of the Arkansas Cemetery Angel: AIDS Activism, Care Work, and Fragmentary Archives in the Life of Ruth Coker Burks Andrew Amstutz & Jess Porter & Phoenix Smithey
“Beer, Prayer and Nellydrama”: (Im)Possibilities in Max Vernon’s The View UpStairs Stephanie Rountree
Spectacles of American Nationalism: The Battle of Atlanta Cyclorama Painting and The Birth of a Nation Daniel A. Pollock
“The Room that We’re Able to Take Up”: Forrest Lawson’s Queer Aesthetic Eric Solomon & Forrest Lawson
Quilting Conversation Marquetta Johnson & Michael Moon & Mary Margaret Pettway & Erin Jane Nelson & Katherine Jentleson
Iconoclasm and the Confederacy: The Challenge of White Supremacy in the Memorial Landscape Kirk Savage
Contesting the Roadways: The Moore’s Ford Lynching Reenactment and a Confederate Flag Rally, July 25, 2015 Mark Auslander
Music, Race, and Representation Post-Katrina: A Review of New Orleans Suite: Music and Culture in Transition Holly Hobbs
A Turning Point for Richmond: The Virginia Historical Society’s Civil War Exhibition William G. Thomas III
“Holding on to Those Who Can’t Be Held”: Reenacting a Lynching at Moore’s Ford, Georgia Mark Auslander
Discursive Memorials: Queer Histories in Atlanta’s Public Spaces Wesley Chenault & Andy Ditzler & Joey Orr
Unearthing the Weeping Time: Savannah’s Ten Broeck Race Course and 1859 Slave Sale Kwesi DeGraft-Hanson