“The Room that We’re Able to Take Up”: Forrest Lawson’s Queer Aesthetic Eric Solomon & Forrest Lawson
“Within Thy Circling Pow’r I Stand”: Immersive Video from Sacred Harp’s Hollow Square Jesse P. Karlsberg & Steve Bransford
Hearing the Call: The Cultural and Spiritual Journey of Rosemary McCombs Maxey Craig Womack & Steve Bransford
Mapping the “Big Minutes”: Visualizing Sacred Harp’s Geographic Coalescence and Expansion, 1995–2014 Jesse P. Karlsberg & Robert A. W. Dunn
Daily Life, State Power, and Theory in the Lonestar State: A Review of Robert Wuthnow’s Rough Country Gabriel A. Acevedo
In Good Faith: Working-Class Women, Feminism, and Religious Support in the Struggle to Organize J. P. Stevens Textile Workers in the Southern Piedmont, 1974–1980 Joey Fink
From Arkansas with Love: Evangelical Crisis Management and Southern (White) Gospel Music Douglas Harrison
Spirits of the Landscape Rediscovered: Ras Michael Brown’s African-Atlantic Cultures and the South Carolina Lowcountry Alexis S. Wells
African American Community Building in Atlanta: A Guide to the Study of Race in America Carole Merritt