Sonic Zora in Florida
Daphne A. Brooks
Music
When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras
Claudrena N. Harold
Joshua McCarter Simpson’s “To the White People of America” (1854)
Jesse P. Karlsberg
An Unlikely Bohemia: Athens, Georgia, in Reagan’s America
Grace Elizabeth Hale
“Within Thy Circling Pow’r I Stand”: Immersive Video from Sacred Harp’s Hollow Square
Jesse P. Karlsberg & Steve Bransford
Mapping the “Big Minutes”: Visualizing Sacred Harp’s Geographic Coalescence and Expansion, 1995–2014
Jesse P. Karlsberg & Robert A. W. Dunn
Seeing Sound: Mapping Florentine Soundscapes
Niall Atkinson
LiFT Art Salon: Gallery 72
Clint Fluker
Six Degrees of Alan Lomax: A Review and Multimedia Excerpts
Ryan André Brasseaux & Joshua Clegg Caffery
No Country for Old Hippies: Jason Mellard’s Progressive Country
Stephanie Vander Wel
Putting the Vernacular in Modernism: A Review of Edward Comentale’s Sweet Air
Ryan André Brasseaux
New Website for Music Memory
Devin Brown
Recording Musical History: An Interview with Lance Ledbetter of Dust-to-Digital Records
Lance Ledbetter & Jesse P. Karlsberg & Alan G. Pike
Ireland’s First Sacred Harp Convention: “To Meet To Part No More”
Jesse P. Karlsberg
The Complete Oh-OK: Music as Child’s Play in Athens, Georgia
Grace Elizabeth Hale
Deep in the Cane: The Southern Soul of Gil Scott-Heron
Claudrena N. Harold
The Makers of the Sacred Harp
Timothy Eriksen
Hoboken Style: Meaning and Change in Okefenokee Sacred Harp Singing
Laurie Kay Sommers
Shaping a Southern Soundscape
Grace Elizabeth Hale
Jake Adam York Interviews Natasha Trethewey
Natasha Trethewey
The Blue Room, Greenwood, Mississippi, 2007
Erin Austen Abbott
Music in Cipriere, New Orleans, Louisiana, 2001
Randall Shexnayder
Let Me Do My Thang: Rebirth Brass Band
Keith Reynaud Jr.
Deep Ellum Blues
Kevin Pask
Country Music Scholar
Bill Malone
An Absence I Know I Won’t Reclaim
Rodney Jones
Gold Records in Deep Space
Steve Bransford
Preserving the Memory of Ybor City, Florida
Cameron B. LeBlanc
Blues in the Lower Chattahoochee Valley
Steve Bransford
Inside Poor Monkey’s
Luther Brown
Stormy Banks and Sweet Rivers: A Sacred Harp Geography
James B. Wallace
Love and Death at Second-Line
Nick Spitzer
