An Unflinching Look: An Interview with Photographer Benjamin Dimmitt Anthony Martin & Steve Bransford
“Beer, Prayer and Nellydrama”: (Im)Possibilities in Max Vernon’s The View UpStairs Stephanie Rountree
Spectacles of American Nationalism: The Battle of Atlanta Cyclorama Painting and The Birth of a Nation Daniel A. Pollock
“The Room that We’re Able to Take Up”: Forrest Lawson’s Queer Aesthetic Eric Solomon & Forrest Lawson
“Within Thy Circling Pow’r I Stand”: Immersive Video from Sacred Harp’s Hollow Square Jesse P. Karlsberg & Steve Bransford
Quilting Conversation Marquetta Johnson & Michael Moon & Mary Margaret Pettway & Erin Jane Nelson & Katherine Jentleson
A Video Excerpt from The Well-Placed Weed: The Bountiful Life of Ryan Gainey Steve Bransford & Cooper Sanchez
Six Degrees of Alan Lomax: A Review and Multimedia Excerpts Ryan André Brasseaux & Joshua Clegg Caffery
Dancing Around the “Glaring Light of Television”: Black Teen Dance Shows in the South Matthew F. Delmont
MARBL Presents Atlanta Intersections: Photographer Chip Simone on Atlanta and Photography Clint Fluker
Something True about Louisiana: HBO’s True Detective and the Petrochemical America Aesthetic Emma Lirette
Race and Difference in the “Other America”: A Review of Anne Braden: Southern Patriot Mary E. Frederickson
Television News and the Civil Rights Struggle: The Views in Virginia and Mississippi William G. Thomas III
John Cohen in Eastern Kentucky: Documentary Expression and the Image of Roscoe Halcomb During the Folk Revival Scott L. Matthews