Interview with Natasha Trethewey
Part 2: Alexander discusses growing up in NYC and Washington DC, DC as Upsouth, identifications with Blackness and southernness
Part 3: Alexander discusses southernness and urban space, and reads from “Letter: Blues,” “Frank Willis,” “Talk Radio, DC”
Part 4: Alexander reads “Race” and comments on the pale-skinned body; Trethewey compares “Race” and Phillip Levine’s “The Mercy”
Part 5: Alexander reads from “Six Yellow Stanzas,” exploring legibility, estrangement, and connections to New Orleans
Part 6: Alexander discusses black migration experience in her family, her use of direct address, and reads from “Georgia Postcard”
Part 7: Alexander reads and discusses “The Dirt Eaters” and “Ars Poetica #100: I Believe”
Text of Poems Referenced
“Ellipsis,” “Letter: Blues,” “Frank Willis,” “Talk Radio, D.C.,” “Race,” Phillip Levine’s “The Mercy,” “Six Yellow Stanzas,” “Georgia Postcard,” “The Dirt Eaters,” and “Ars Poetica #100: I Believe.”
About Elizabeth Alexander
Elizabeth Alexander is a poet, essayist, playwright, and teacher born in New York City and raised in Washington, D.C. She has published several books of poems, including: The Venus Hottentot (1990), Body of Life (1996), Antebellum Dream Book (2001), and American Sublime (2005), which was one of three finalists for the Pulitzer Prize and was one of the American Library Association’s “Notable Books of the Year.” In 2008, she composed and delivered “Praise Song for the Day” for the inauguration of President Barack Obama. She is also the first recipient of the Alphonse Fletcher, Sr. Fellowship for work that “contributes to improving race relations in American society and furthers the broad social goals of the U.S. Supreme Court’s Brown v. Board of Education decision of 1954,” and is the 2007 winner of the first Jackson Prize for Poetry, awarded by Poets & Writers, Inc.
Videography for this interview was provided by Sam McConnell and Lukas Hauser.